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These are the Books I am Currently Reading

 

Some nights as I gasp for breath keeping my head above the paper load, I actually remember why I am an English teacher and read. I remember enjoying a wonderful AP conference with Mr. Brandon Montgomery (University of Delaware), and he reminded us that we are English teachers because we love to read; therefore, model this for our students and keep reading. Well, that is what I intend to do... keep on reading. So, I have decided to litter my corner of the internet with my thoughts on the books I read.

Wow, this looked bad for quite some time. It almost appeared as if I stopped reading. Well, low and behold it was simply a matter of now time to post. Now that I have settled down hear goes the list. I apologize that my earliest posts will be less descriptive for now since I am trying to just get it on paper.

 

 

SUMMER 2008

What is the What ?
Dave Eggers .... McSweeney's; 1 edition (October 25, 2006) 475 Pages

From Publishers Weekly
Starred Review. Valentino Achak Deng, real-life hero of this engrossing epic, was a refugee from the Sudanese civil war-the bloodbath before the current Darfur bloodbath-of the 1980s and 90s. In this fictionalized memoir, Eggers (A Heartbreaking Work of Staggering Genius) makes him an icon of globalization. Separated from his family when Arab militia destroy his village, Valentino joins thousands of other "Lost Boys," beset by starvation, thirst and man-eating lions on their march to squalid refugee camps in Ethiopia and Kenya, where Valentino pieces together a new life. He eventually reaches America, but finds his quest for safety, community and fulfillment in many ways even more difficult there than in the camps: he recalls, for instance, being robbed, beaten and held captive in his Atlanta apartment. Eggers's limpid prose gives Valentino an unaffected, compelling voice and makes his narrative by turns harrowing, funny, bleak and lyrical. The result is a horrific account of the Sudanese tragedy, but also an emblematic saga of modernity-of the search for home and self in a world of unending upheaval.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

 

Kafka on the Shore
by Haruki Murakami Vintage (January 3, 2006) 408 pages

Thanks Myra, you were right. I should have read this long ago. From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal—we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders—but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings—mind-bending talk of parallel worlds, events occurring outside of time—and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

 

The Eloquent Essay: An Anthology of Classic & Creative Nonfiction
by John Loughery Persea Books; 1st edition (April 2000) 108 pages

Product Description
A concise anthology of superb classic and creative nonfiction from the twentieth century. This anthology of seventeen modern essays shows the form at its most varied and dramatic. Purposefully concise, it gathers together exemplars of the personal narrative, the argument, the anecdotal essay, digressive discourse, the "open letter," and others. Some of the most engaging authors of our time write on subjects as diverse as becoming a doctor, cattle grazing rights, the death of Socrates, Anne Frank, computer culture, and how to detect "baloney" in all the verbiage that surrounds us. Included in the collection are essays by George Orwell, W. H. Auden, Bruno Bettelheim, Eudora Welty, Martin Luther King Jr., Joan Didion, Edward Abbey, Leo Marx, I. F. Stone, Pico Iyer, Amy Tan, Lewis Thomas, Barbara Kingsolver, Ann S. Causey, Carl Sagan, Ellen Ullman, and Opal Palmer Adisa. Arranged in chronological order, each selection begins with a note about the author and the essay that follows. The introduction discusses the history of the essay form and the reasons for its special vitality. The Eloquent Essay engages the intellect and the passions, and offers the general reader the pleasures of cogent written discourse. At the same time, its carefully selected essays-each one superbly written and accessible-are well suited to study and discussion.

 

The Tender Bar
by J. R. Moehringer Hyperion (July 26, 2006) 432 Pages

Reviewed by Terry GolwayYou needn't be a writer to appreciate the romance of the corner tavern—or, for that matter, of the local dive in a suburban strip mall. But perhaps it does take a writer to explain the appeal of these places that ought to offend us on any number of levels—they often smell bad, the decor generally is best viewed through bloodshot eyes and, by night's end, they usually do not offer an uplifting vision of the human condition.Ah, but what would we do without them, and what would we do without the companionship of fellow pilgrims whose journey through life requires the assistance of a drop or two?J.R. Moehringer, a Pulitzer Prize–winning writer for the Los Angeles Times, has written a memoir that explains it all, and then some. The Tender Bar is the story of a young man who knows his father only as "The Voice," of a single mother struggling to make a better life for her son, and of a riotously dysfunctional family from Long Island. But more than anything else, Moehringer's book is a homage to the culture of the local pub. That's where young J.R. seeks out the companionship of male role models in place of his absent father, where he receives an education that has served him well in his career and where, inevitably, he looks for love, bemoans its absence and mourns its loss.Moehringer grew up in Manhasset, a place, he writes, that "believed in booze." At a young age, he became a regular—not a drinker, of course, for he was far too young. But while still tender of years, he was introduced to the culture, to the companionship and—yes—to the romance of it all. "Everyone has a holy place, a refuge, where their heart is purer, their mind clearer, where they feel close to God or love or truth or whatever it is they happen to worship," he writes. For young J.R., that place was a gin mill on Plandome Road where his Uncle Charlie was a bartender and a patron.The Tender Bar's emotional climax comes after its native son has found success as a journalist for the Los Angeles Times. On September 11, 2001, almost 50 souls who lived and loved in Moehringer's home town of Manhasset were killed in the terrorist attack on the World Trade Center. One was a bartender we've met along the way. Another was one of the author's cousins.Moehringer drove from Denver, where he was based as a correspondent for the Times, to New York to mourn and comfort old friends. He describes his cousin's mother, Charlene Byrne, as she grieved: "Charlene was crying, the kind of crying I could tell would last for years."And so it has, in Manhasset and so many other Long Island commuter towns. Moehringer's lovely evocation of an ordinary place filled with ordinary people gives dignity and meaning to those lost lives, and to his own.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved

 

Thank You for Arguing: What Aristotle, Lincoln, and Homer Simpson Can Teach Us About the Art of Persuasion
by Jay Heinrichs Three Rivers Press (February 27, 2007) 336 pages

Thank You for Arguing is your master class in the art of persuasion, taught by professors ranging from Bart Simpson to Winston Churchill. The time-tested secrets the book discloses include Cicero’s three-step strategy for moving an audience to actionÑas well as Honest Abe’s Shameless Trick of lowering an audience’s expectations by pretending to be unpolished. But it’s also replete with contemporary techniques such as politicians’ use of “code” language to appeal to specific groups and an eye-opening assortment of popular-culture dodges, including:

The Eddie Haskell Ploy
Eminem’s Rules of Decorum
The Belushi Paradigm
Stalin’s Timing Secret
The Yoda Technique

Whether you’re an inveterate lover of language books or just want to win a lot more anger-free arguments on the page, at the podium, or over a beer, Thank You for Arguing is for you. Written by one of today’s most popular online language mavens, it’s warm, witty, erudite, and truly enlightening. It not only teaches you how to recognize a paralipsis and a chiasmus when you hear them, but also how to wield such handy and persuasive weapons the next time you really, really want to get your own way.

 

The Brief Wondrous Life of Oscar Wao


Junot Diaz Riverhead Hardcover (September 6, 2007) 352 pages

From Publishers Weekly
SignatureReviewed by Matthew SharpeAreader might at first be surprised by how many chapters of a book entitled The Brief and Wondrous Life of Oscar Wao are devoted not to its sci fi–and–fantasy-gobbling nerd-hero but to his sister, his mother and his grandfather. However, Junot Diaz's dark and exuberant first novel makes a compelling case for the multiperspectival view of a life, wherein an individual cannot be known or understood in isolation from the history of his family and his nation.Oscar being a first-generation Dominican-American, the nation in question is really two nations. And Dominicans in this novel being explicitly of mixed Taíno, African and Spanish descent, the very ideas of nationhood and nationality are thoughtfully, subtly complicated. The various nationalities and generations are subtended by the recurring motif of fukú, the Curse and Doom of the New World, whose midwife and... victim was a historical personage Diaz will only call the Admiral, in deference to the belief that uttering his name brings bad luck (hint: he arrived in the New World in 1492 and his initials are CC). By the prologue's end, it's clear that this story of one poor guy's cursed life will also be the story of how 500 years of historical and familial bad luck shape the destiny of its fat, sad, smart, lovable and short-lived protagonist. The book's pervasive sense of doom is offset by a rich and playful prose that embodies its theme of multiple nations, cultures and languages, often shifting in a single sentence from English to Spanish, from Victorian formality to Negropolitan vernacular, from Homeric epithet to dirty bilingual insult. Even the presumed reader shape-shifts in the estimation of its in-your-face narrator, who addresses us variously as folks, you folks, conspiracy-minded-fools, Negro, Nigger and plataneros. So while Diaz assumes in his reader the same considerable degree of multicultural erudition he himself possesses—offering no gloss on his many un-italicized Spanish words and expressions (thus beautifully dramatizing how linguistic borders, like national ones, are porous), or on his plethora of genre and canonical literary allusions—he does helpfully footnote aspects of Dominican history, especially those concerning the bloody 30-year reign of President Rafael Leónidas Trujillo. The later Oscar chapters lack the linguistic brio of the others, and there are exposition-clogged passages that read like summaries of a longer narrative, but mostly this fierce, funny, tragic book is just what a reader would have hoped for in a novel by Junot Diaz.Matthew Sharpe is the author of the novels Jamestown and The Sleeping Father. He teaches at Wesleyan University

 

Gates of Fire: An Epic Novel of the Battle of Thermopylae
by Steven Pressfield Bantam (September 27, 2005) 400 pages

Pressfield's first novel, The Legend of Bagger Vance, was about golf, but here he puts aside his putter and picks up sword and shield as he cleverly and convincingly portrays the clash between Greek hoplites and Persian heavy infantry in the most heroic confrontation of the Hellenic Age: the battle of Thermopylae ("the Hot Gates") in 480 B.C. The terrifying spectacle of classical infantry battle becomes vividly clear in his epic treatment of the Greeks' magnificent last stand against the invading Persians. Driven to understand the courage and sacrifice of his Greek foes, the Persian king, Xerxes, compels Xeones, a captured Greek slave, to explain why the Greeks would give their lives to fight against overwhelming odds. Xeones' tale covers his years of training and adventure as the loyal and devoted servant of Dienekes, a noble Spartan soldier, and he describes the six-day ordeal during which a few hundred Greeks held off thousands of Persian spears and arrows, until a Greek traitor led the Persians to an alternate route. Rich with historical detail, hot action and crafty storytelling, Pressfield's riveting story reveals the social and political framework of Spartan life?ending with the hysteria and brutality of the spear-thrusting, shield-bashing clamor that defined a Spartan's relationship with his family, community, country and fellow warriors. Literary Guild and Military Book Club selections; film rights sold to Universal Studios for George Clooney and Robert Lawrence's Maysville Pictures; UK rights to Bantam, Spanish rights to Grijalbo Mondadori, Italian rights to Rizzoli.

Fall 2008

Heart of Darkness (Norton Critical Editions)
by Joseph Conrad and Paul B. Armstrong W. W. Norton; 4th edition (November 1, 2005) 514 pages

Product Description
The Fourth Edition is again based on Robert Kimbrough's meticulously re-edited text. Missing words have been restored and the entire novel has been repunctuated in accordance with Conrad's style. The result is the first published version of Heart of Darkness that allows readers to hear Marlow's voice as Conrad heard it when he wrote the story.

"Backgrounds and Contexts" provides readers with a generous collection of maps and photographs that bring the Belgian Congo to life. Textual materials, topically arranged, address nineteenth-century views of imperialism and racism and include autobiographical writings by Conrad on his life in the Congo. New to the Fourth Edition is an excerpt from Adam Hochschild's recent book, King Leopold's Ghost, as well as writings on race by Hegel, Darwin, and Galton.

"Criticism" includes a wealth of new materials, including nine contemporary reviews and assessments of Conrad and Heart of Darkness and twelve recent essays by Chinua Achebe, Peter Brooks, Daphne Erdinast-Vulcan, Edward Said, and Paul B. Armstrong, among others. Also new to this edition is a section of writings on the connections between Heart of Darkness and the film Apocalypse Now by Louis K. Greiff, Margot Norris, and Lynda J. Dryden.

I'll Sleep When I'm Dead: The Dirty Life and Times of Warren Zevon
by Crystal Zevon Harper Paperbacks (May 6, 2008) 480 pages

This is my reading for Columbus Day Weekend. Thankfully I have a full day of softball on Saturday and Sunday. Well, the games proved too interesting to open the book. I will see how much homework I can finish to allow reading time tonight.

From Publishers Weekly
Starred Review. For those who know them, the brilliant, dark songs of Warren Zevon (1947-2003) inspire nothing short of adoration; for those who don't, this stunning biography of the irrepressible rock 'n' roll singer/songwriter should send them sprinting to the nearest record store. By taking an unexpurgated, oral-history approach to Warren's life, his former wife and lifelong friend Crystal has crafted a sharp, funny, jaw-dropping rock biography that's among the best of the sub-genre. Provocative and unflinching, her account distills Warren's journal entries and the author's exhaustive interviews with 87 family members, business associates, band mates, fellow musicians and former lovers into a chronology ranging from Warren's ancestry to his death, at age 56, from lung cancer. The impetus for the book was Warren himself-he implored Crystal to tell his story and to "promise you'll tell 'em the whole truth, even the awful, ugly parts." The awful, ugly parts turn up often: Warren's addictions (to alcohol, drugs and sex), personal demons (intense obsessive-compulsion and commitment-phobia) and paternal shortcomings (to him, kids were nuisances) all get plenty of play here. But so does Warren's music, for which peers like Jackson Browne, Bruce Springsteen and Paul Schaffer offer plenty of insight. This top-notch biography is a must-read for fans, and a highly rewarding read for anyone interested in a close look at the life of a modern rock icon.

 


 

 

 


 

 

 

 

 

 

 

 

 

 

 

 


 

 

 

 

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Rules for Old Men Waiting : A Novel by Peter Pouncey

The Brooklyn Follies by Paul Auster

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The Painted Drum by Louise Erdrich

 

 

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If you have any suggestions for great books to read please Email me . belasco@alumni.rutgers.edu

 

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